(Dub) 1 : A Quiet Beginning
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(Dub) 1 : A Quiet Beginning
At the Gunga Mountain Villa, Team Edgeshot awaits in the distance for their orders, aware the Front are currently holding their meeting. They know that one of their operatives possesses a Warping ability, and that they're at the hospital, so they intend to remove them from play to prevent them from escaping. Shemage wonders if it's okay for them to be there, considering the League's history with attacking U.A., leading Midnight to explain that they've become too big, and they've reached the point where everyone will be in danger. She holds Shemage's hands, telling her not to worry as they only want their help at the beginning and will send them to the rear right after. At the same time, Chargebolt exclaims to himself why he is at the front, yelling that he misses everyone.
Doctors listen to the heart by putting a stethoscope on different areas of the chest. It helps if kids are quiet as the doctor listens, because some heart murmurs are very soft. It's not unusual for a murmur to be noticed during a routine checkup, even if none was heard before.
Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others[1] beginning in the late 1960s. Augustus Pablo, who collaborated with many of these producers, is credited with bringing the distinct-sounding melodica to dub, and is also among the pioneers and creators of the genre. Similar experiments with recordings at the mixing desk outside the dancehall scene were also done by producers Clive Chin and Herman Chin Loy.[4] These producers, especially Ruddock and Perry, looked upon the mixing console as an instrument, manipulating tracks to come up with something new and different. The Roland Space Echo was widely used by dub producers in the 1970s to produce echo and delay effects.[5]
Dub music and toasting introduced a new era of creativity in reggae music. From their beginning, toasting and dub music developed together and influenced each other. The development of sound system culture influenced the development of studio techniques in Jamaica,[19] and the earliest DJs, including Duke Reid and Prince Buster among others, were toasting over instrumental versions of reggae and developing instrumental reggae music.[20] 59ce067264
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